Many of us have spent much of the last year working from home, practically meeting with colleagues and making presentations to clients while trying to get a pile of dirty washes out of sight. Our social life has also taken place indoors, from online contest nights to music concerts. The most sought after item to spend a night of relaxation or fun this past year? A reliable broadband connection.
DJs and musicians have continued to perform virtually throughout the pandemic, whether playing improvised songs from their rooms or heading to studios and empty venues to perform. Yet, through digital performances, they touched individuals in their own cities and around the world, gaining legions of new fans and providing comfort in a time of uncertainty.
The pandemic has accelerated our reliance on technology and reliable broadband, to allow us to do what we love and stay connected even miles apart. Virtual concerts have also shown a new way for artists to be more inclusive, reach a wider audience, experiment creatively, and do so in an eco-friendly way.
We chatted (practically through super reliable Sky Broadband Superfast, of course) to DJs and musicians about what it’s been like to really play virtual gigs: the lessons learned, the essential kit, the hardships of connecting with an audience that wasn’t in the same room.
One thing is certain: we have never relied more on the comfort of music in our lives.
Cake DJ: “You realize the importance of your Internet connection during live streaming. ”
San Francisco-based DJ, producer and remixer Michael Morales, also known as Cake DJ, began broadcasting live online during the pandemic because of his mental health: the creation of a certain normalcy through a live broadcast program helped create a sense of calm and stability in all the uncertainty of the pandemic.
There were many changes to face DJ Kue, from not sharing physical space with his audience, to having to respond to fan messages in a virtual chat box while performing. But having a reliable broadband setup helped with the peace of mind that live streaming would run smoothly.
“Asa DJ, you also have to be your own technical support when something doesn’t work. And believe me, sometimes it tends to go wrong, ”he says. DJ Kue experimented with several different tools and services before deciding that OBS (open transmitter software) and Twitch streaming worked best.
“For me, having a good internet was the most important thing. There are a lot of ways to broadcast live and the Internet is definitely your friend if you want to learn how to do it, ”he says.
Connecting with an audience that wasn’t there was another challenge: some listeners wanted to socialize, interact with DJ Kue through online chats, while others treated live virtual broadcasts as enjoyable background music. in the afternoons or evenings. Many of those who would struggle to get to clubs in pre-pandemic times (e.g., those with young children) tuned in to do a much-needed jam session in their day.
“I feel like live DJ players have given them a chance to experience something similar (albeit virtual), and while it’s not quite the same, people are still having fun, ”he says.
On a personal level, the past year has also been a period of creative growth and experimentation for DJ Kue, who has revisited early music and even played with his live virtual streaming settings.
“I love the creative aspect of live streaming because you can do it anywhere – the funniest thing I’ve had recently is what I had installed in front of my coffee corner at home to stream a DJ video in the morning and I ended up making coffee while playing house music and interacting with people in chat. It was an explosion. ” The beauty of a reliable broadband setup allows creators like DJ Kue to work their magic from anywhere, to fans everywhere.
Emily Burns: “I love doing live performances practically: it’s something I’ll definitely continue. I really enjoyed it.”
Singer and composer Emily Burns it’s music that last year pivoted on live plays, jumping on their Instagram Live every night, then weekly, for 10-15 minutes to perform one or two songs and chat with their fan base. As someone who was desperately missing live performances, this was both for her and her audience, and it gave her the joy of playing live, even without anyone else in the room.
With a reliable broadband connection he didn’t need to update his setup at home, although he did a charity “show” from his bedroom that included a new microphone and lights that changed over time to music, an update courtesy of Burns roommate , engineer at Abbey. Road Studios.
For Burns, reaching a new audience brought unexpected joys during the pandemic.
“I noticed people joining my live plays and commenting saying, “I’m from Korea” and all those other places. Normally, these people could not necessarily come to one of my shows, so it was definitely an advantage, as I could interact with people from all over the world, ”he says.
Burns also found that he could support fans beyond music, by setting up home technology to organize mental health chats with his fans, in a series known as “Terrified talks“Inspired by his single”LandedA reliable broadband connection made these virtual conversations possible, allowing him to see a more intimate side of his fan base and frankly discuss issues beyond music, something that would never happen in a show. live.
“I was always surprised that people openly and openly talked about their own situations. So this is something I’m definitely going to pull off as a huge, huge positive from last year. ”Burns plans to continue his virtual broadcast as he prepares for his next adventure: his live UK tour kicks off September 2021.
Black Country, New Road: “It was strangely one of the best concerts we’ve ever played and it was a live broadcast.”
How does a band with seven members spread across London stay connected? For Lewis Evans, Tyler Hyde, Isaac Wood, Georgia Ellery, May Kershaw, Charlie Wayne and Luke Mark, the musicians of the experimental rock group Black Country, New Road, at first, the transition from live concerts to virtual concerts seemed like a healthy break from the intensity of acting in real life.
Gathering as a band to rehearse and perform together (even virtually) was a slow process (made possible by reliable broadband and certain bandmates living together), but it gave members of the band time. band to focus on the creative side of things, finishing most of the demo of his second album and discovering older and newer passions: saxophonist Lewis Evans bought a tenor saxophone to return to his jazz roots while bassist Tyler Hyde wrote his own music.
While most musicians performed their live broadcasts from home, Black Country, New Road partnered with the streaming platform. DAUS to reach new audiences and break into spaces they always dreamed of, such as the Queen Elizabeth Hall at Southbank Center.
“It was a real step for us. We went there the day before and there was a huge team of people installing this amazing space with five giant spotlights in this beautiful place. We had about ten of our friends who were the choir for us, but it wasn’t revealed that they were the choir until later on set, so it looked like we had a small audience there, and then they sang with us and it was beautiful share this with friends, ”says Hyde.
Not only has the scope of technology presented new opportunities for the band, but virtual concerts have allowed them to be more inclusive and kinder to the planet. “Anyone who is anywhere can tune in to some of these things, it doesn’t feel like they’re losing. I definitely felt like I was losing bands that I would have liked and that were on tour and couldn’t get to a concert or their best concert that they played in some other country and me. i couldn’t get there. And also, the environmental impact and our carbon footprint as a band: in this we are really trying to work, ”says Evans.
With the possibility of reaching an audience from any country, one of the band’s concerts was a live broadcast The Club de les Arnes in Hackney, London, at an American university in New England: Evans and Hyde look forward to a future where live performances can be combined with live broadcasts.
“A band plays differently depending on the audience; a crowd in South America will be totally different from a crowd in London. We don’t have the money to go see our favorite bands play all over the world. People who have less money than us, can’t even go to any concert, will never be able to see their favorite bands. So if they can pay a five to watch the live broadcast, it’s amazing, ”says Hyde.
Now, we wouldn’t love this – a world where all we need is a reliable broadband (and five) to see any band of our dreams. As long as you bring our PCs, no more and no less.
These are just some of the amazing stories in which reliable broadband has helped fuel people’s creativity over the last year. Find out how super reliable Sky Broadband Superfast it could help fuel your passion.
Disclaimer: The opinions expressed within this article are the personal opinions of the author. The facts and opinions appearing in the article do not reflect the views of knews.uk and knews.uk does not assume any responsibility or liability for the same.