May 6, 2021

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‘Hip Hop Uncovered’ Creators’ New Form of Art Form – Competitive TV – Deadline

Hip Hop is both a fiction and a nonfiction film, but there’s never been a documentary series like FX. Hip hop uncovered. It takes a fancy approach to let us know how the form of art originated and became an influential genre of music.

Director and executive producer Rashidi Natara Harper explained during Deadline Competitive Television: “It hit from an angle that felt fresh and was like something that had never really been seen or thought before,” the documentary + unscripted awards-season event . “The biggest thing we wanted to communicate was, ‘You say you know this music but you don’t have a literal idea.’ ”

Competitive Television: Documentary + Unscripted: Livestream, Schedule, Lineup

The six-part series does not ignore the famous names behind the success of hip hop, such as Dr. Dray, Sue Knight and Russell Simmons, but its initial focus is on lesser-known but critical personalities who helped develop artists, set standards for honesty and Brings money and muscle to start with authenticity and labeling and to protect performers. Among the ‘stars’ of the series are Eugene “Big You” Henley; Brothers and sisters Dev Antony and James “Bimi” Antony; Christian Mathis (aka Trick Trick); And Jack Agent, known as “Haitian Jack”.

“A lot, a lot of people don’t know who they are and never heard of them, yet they’re all connected to artists who the whole world heard about,” Harper said. “It’s interesting from my point of view.”

Hip hop uncovered It makes it clear that music has emerged as a social protest and commentary and reflects the harsh reality of the environment in which it was created.

“It comes from hunger, it comes from starvation, it comes from suffering,” says one industry expert Hip hop uncovered. Executive producer Malcolm Spellman added, “Hip hop music is street music.”

Oscar-nominated and Emmy-winning executive producer Jonathan Chin said the opportunity to work with Spellman and Harper attracted him to the project.

“Their outlook and perspective and what they wanted to achieve with creativity was incredible to me,” Chhin says. “There was something about the way they talked about hip-hop that I really had an eye on for a white guy who didn’t grow up in hip-hop. … When they mentioned these characters [Big U, Trick Trick, et al], It just hit me as a truly unique and fresh way to see something that AirPlay got, but not at this level. “

The Ep 6th episode of the series examines hip-hop at the crossroads – it is extremely popular, but its roots are at risk of losing connection and the desire to tackle the problems facing Black America.

“Right now, it’s in a state of existence. Hop hop has become a product, it’s become so productive that it’s often more of a product than an art form,” Spellman said. “If you make products for white people, is it better to talk about giving back the right to vote to pre-civil rights? No, you mean, like, saltines and their ilk, eh?

Check back Monday for the panel video.